Groovy Baby

The past seems less complicated than today. I think that’s part of the appeal of “period” dramas. Or just outright old ones.

A couple of years ago, the low-budget television channel True Entertainment acquired the rights to the sixties television series The Avengers, and being low-budget, they’ve been broadcasting all the episodes in a constant cycle ever since.

This is not the whole of The Avengers: it’s the middle set, starting from the first with Diana Rigg as Emma Peel, up to the last one with Linda Thorson as Tara King. Previously, John Steed’s partner had been Honor Blackman as Cathy Gale, and then, seven years after Tara, Steed re-appeared in The New Avengers, with Gareth Hunt as action man Mike Gambit, and Joanna Lumley as action woman Purdy. It wasn’t absolutely fabulous.

I’ve now seen all the Emma and Tara episodes several times, which is probably sufficient exposure to the sixties for the present. It’s a strange sixties though: underpopulated and lacking in swinging. A comic book caricature of the sixties, let’s say.

steed-emmaI do like Emma Peel. Everyone agrees that Diana Rigg is one of the acting greats of her generation, and whether she’s crushing a criminal, infiltrating and impersonating or titrating a test tube, she plays the part with a vivid intelligence and humour. Her eventual replacement, Linda Thorson, is less highly-regarded, but it’s hardly fair to criticize her for not being Diana Rigg. Nobody is; except Diana Rigg.

After the last Emma Peel episode, the television company behind it, ABC, assumed that no further programmes would be made. Cast and crew were “let go”. However, it emerged that the was American money forthcoming for a new series, leading ABC to revive The Avengers. Patrick Macnee was willing to return as John Steed, but Diana Rigg wasn’t interested in coming back, and nor were producers Brian Clemens and Albert Fennell.

The company appointed a new producer, John Bryce, and began extensive auditions (some say 200 were tried out) for a new female partner for Steed. By an incredible coincidence, the actress who got the job was Bryce’s girlfriend, Linda Thorson. The story goes that Bryce required her to go blonde for the part, but the process went badly wrong, requiring Thorson to wear wigs to cover up the damage for the first six months of filming. How creepy is that? “Now I’m your boss, I can tell you to change your hair colour.”

Bryce shot three episodes before being sacked. Clemens and Fennell were brought back to clean up the mess. (Only one of Bryce’s productions was broadcast, and even that only after Clemens and Fennell had extensively reworked it.)

steed-taraLinda Thorson stayed. I’ve always felt that her character of Tara King was hobbled by the writers at the start, rather than by any problem with Thorson’s acting abilities. Whereas Emma Peel had an independent backstory (pulled out of chemistry grad school to run her late father’s business empire, sold it for a fortune, married a test pilot) Tara King was introduced as a naive trainee secret agent, assigned to work for Steed as her first job after qualifying. Tara was supposedly besotted with Steed, in contrast to the ambiguous relationship between Steed and Peel, leaving less room for emotional complexity in the scenes. (I know, “emotional complexity”. Talking about The Avengers.)

It was only in the later Tara King episodes that the character developed Peel-like independence, but overall I still think that Thorson did a perfectly good job. I like her. After about thirty episodes, the money ran out again, meaning the end of the old Avengers.


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